Does spirited away’ reflect traditional japan?

Does spirited away’ reflect traditional japan? To what extent does the world of hayao miyazakis spirited away reflect traditional japan? Anime has been described by Napier (2001, p.8) as â€Å"a richly fascinating contemporary Japanese art form that both harks back to traditional Japanese culture and moves forward to the cutting edge of art and media†. Hayao Miyazakis films are no stranger to featuring portrayals and representations of traditional Japan within the mythical worlds he creates in his films as well as those set in Japan. His imagery is vastly different to the ultra futuristic portrayals featured in the equally popular cyberpunk anime of Mamoru Oshiis Ghost in the Shell(1995), Katsuhiro Otomos Akira (1988) and all of their contemporaries. Spirited Away (2001) is arguably Miyazakis most widely known and regarded film both domestically and abroad, having become the most financially successful film of all time in Japan while also receiving the Academy Award for best animation. While being set in a modern Japan where technology has become more important than history and tradition, in Spirited Away Miyaz aki concentrates on several aspects of Japans cultural history. The protagonist of the film, Chihiro, has lived a pampered life in the city and is naÃÆ' ¯ve and unprepared for adulthood. Her parents are portrayed as greedy and irresponsible in the symbol of the â€Å"credit card wielding father turning into an overindulgent hog.† (Broderick, 2003) The ‘spirit world that she unknowingly enters represents the Taisho period of Japanese history (around 1912 to 1926), a popular setting in Anime, but of particular personal significance to Miyazaki. (Yoshioka, 2008) Childhood memories have influenced his use of this time which does not simply create a feeling of nostalgia, but, as Yoshioka says, â€Å"merges personal experience into a larger sense of past.† (Yoshioka, 2008: p.257) The aspects of traditional Japan displayed in the film vary from the extravagant grandeur of the bathhouse to the simple, yet quaint wooden houses and shops in the spirit town. The bathhouse even includes sliding paper doors and massive ornate ‘Satsuma-ware vases all representative of a prosperous location in Japan during the 1920s. It serves to act as an opposition to the modern character of Chihiro upon who the traditional aspects of Japanese society are lost. (Denison, 2007) Denison writes that the bathhouse â€Å"holds valuable lessons for modern (Japanese) society,† including, not allowing such a healthy eclectic heritage disappear in a culture obsessed with the furthering of technology as well as keeping the Japanese youth educated about their roots and heritage. Some of the major characters in the film also incorporate aspects of traditional Japanese folklore. Spirits have been featured as characters in many ancient Japanese folk tales, generally influenced by the two major religions Shinto and Buddhism. The ancient ‘River Spirit which Chihiro helps to clean appears to have a face which resembles a Japanese ‘Noh theatre mask. Another theatrical mask is also featured on the character of No-Face. The film also alludes to the practicing of religion in Japan and the ignorance of the youth towards it. In a scene at the beginning of the film Chihiro does not recognise some Shinto shrines and her mother explains their role yet it is evident that she does not consider them important saying â€Å"some people think little spirits live there.† (Spirited Away, 2001) It is evident from Miyazakis films as a whole that the ‘spirituality is a common and often prominent theme, particularly, but not exclusively, among his films aimed at children. Certain themes recur in Miyazakis films. In Spirited Away many of these appear such as childhood, materialism and most notably environmentalism. The story of the spirit Haku links to the arguments mentioned so far about the portrayal of tradition. The disappearance of Hakus home the ‘Kohaku River due to materialism has led to his forgetting of the past and even his name alluding to the real possibility of people in Japan being so focused on the future they forget elements of their past, in this case an ancient river paved over to build apartments. (Osmond, 2008) Other Miyazaki films have also included the relationship between the ‘spirits or ‘gods and humans, mainly about the difficulty of the two living in harmony. Princess Mononoke(1997), Ponyo(2008) and My Neighbour Totoro(1988) are examples of this with each also carrying the theme of environmentalism. All of the points mentioned so far have reinforced that the world featured within Spirited Away shows a traditional, typically Japanese culture which aims to critique modern Japanese society as well as educate the films young target audience about the importance of tradition. Thanks to Disneys worldwide distribution deal with Miyazakis production company Studio Ghibli, the market for anime has been expanded so hugely that theres a now global awareness of not only modern and pseudo-futuristic Japan but also heightened understanding of Japanese tradition; â€Å"fans (are) engaged with the cultural origins of anime texts†. (Cubbison, 2005: p.45) This market has been so developed that anime now seems to cater specifically for the international market within its films. The complex identities of Miyazakis characters, such as Haku or Yubaba in Spirited Away are, according to Denison, created to appeal to a Hollywood-saturated world market. These characters employ a number of traits n ot inherently Japanese. Also, some aspects of the architecture and artwork featured in the film are not typically Japanese but contain elements of Western styles. An example of this can be found in the small thatched cottage owned by Zeniba, the kind twin sister of the unpleasant witch Yubaba, the owner of the aforementioned bathhouse. The Anime film industry has varying takes on the issue of tradition, but Miyazaki has taken on the issue whole heartedly in his films. Miyazakis idea of the identity of the Japanese person, along with his concept of the loss of traditional culture in the technological Mecca of contemporary Japanese society, has proved significant in the visual appeal of his films as well as their artistic value. Not only does he reference parts of culture such as art, architecture and religion, but also references traditional theatre and behaviour (such as the removal of shoes before entering a house). Despite the fact that Miyazakis uses some hybridity with other cultures in his portrayal of tradition, the fundamental â€Å"Japaneseness† of Spirited Away is clear and irrefutable.

Structure of Language

he Structure of Language Language is a system of symbols and rules that is used for meaningful communication. A system of communication has to meet certain criteria in order to be considered a language: A language uses symbols, which are sounds, gestures, or written characters that represent objects, actions, events, and ideas. Symbols enable people to refer to objects that are in another place or events that occurred at a different time. A language is meaningful and therefore can be understood by other users of that language.A language is generative, which means that the symbols of a language can be combined to produce an infinite number of messages. A language has rules that govern how symbols can be arranged. These rules allow people to understand messages in that language even if they have never encountered those messages before. The Building Blocks of Language Language is organized hierarchically, from phonemes to morphemes to phrases and sentences that communicate meaning. Phon emes Phonemes are the smallest distinguishable units in a language.In the English language, many consonants, such as t, p, and m, correspond to single phonemes, while other consonants, such as c and g, can correspond to more than one phoneme. Vowels typically correspond to more than one phoneme. For example, o corresponds to different phonemes depending on whether it is pronounced as in bone or woman. Some phonemes correspond to combinations of consonants, such as ch, sh, and th. Morphemes Morphemes are the smallest meaningful units in a language. In the English language, only a few single letters, such as I and a, are morphemes. Morphemes are usually whole words or meaningful parts of words, such as refixes, suffixes, and word stems. Example: The word â€Å"disliked† has three morphemes: â€Å"dis,† â€Å"lik,† and â€Å"ed. † Syntax Syntax is a system of rules that governs how words can be meaningfully arranged to form phrases and sentences. Example: On e rule of syntax is that an article such as â€Å"the† must come before a noun, not after: â€Å"Read the book,† not â€Å"Read book the. † Language Development in Children Children develop language in a set sequence of stages, although sometimes particular skills develop at slightly different ages: Three-month-old infants can distinguish between the phonemes from any language.At around six months, infants begin babbling, or producing sounds that resemble many different languages. As time goes on, these sounds begin to resemble more closely the words of the languages the infant hears. At about thirteen months, children begin to produce simple single words. By about twenty-four months, children begin to combine two or three words to make short sentences. At this stage, their speech is usually telegraphic. Telegraphic speech, like telegrams, contains no articles or prepositions. By about age three years, children can usually use tenses and plurals.Children’ s language abilities continue to grow throughout the school-age years. They become able to recognize ambiguity and sarcasm in language and to use metaphors and puns. These abilities arise from metalinguistic awareness, or the capacity to think about how language is used. Ambiguous Language Language may sometimes be used correctly but still have an unclear meaning or multiple meanings. In these cases, language is ambiguous—it can be understood in several ways. Avoid biting dogs is an example of an ambiguous sentence. A person might interpret it as Keep out of the way of biting dogs or Don’t bite dogs.Theories of Language Acquisition The nature vs. nurture debate extends to the topic of language acquisition. Today, most researchers acknowledge that both nature and nurture play a role in language acquisition. However, some researchers emphasize the influences of learning on language acquisition, while others emphasize the biological influences. Receptive Language before E xpressive Language Children’s ability to understand language develops faster than their ability to speak it. Receptive language is the ability to understand language, and expressive language is the ability to use language to communicate.If a mother tells her fifteen-month-old child to put the toy back in the toy chest, he may follow her instructions even though he can’t repeat them himself. Environmental Influences on Language Acquisition A major proponent of the idea that language depends largely on environment was the behaviorist B. F. Skinner (see pages 145 and 276 for more information on Skinner). He believed that language is acquired through principles of conditioning, including association, imitation, and reinforcement. According to this view, children learn words by associating sounds with objects, actions, and events.They also learn words and syntax by imitating others. Adults enable children to learn words and syntax by reinforcing correct speech. Critics of t his idea argue that a behaviorist explanation is inadequate. They maintain several arguments: Learning cannot account for the rapid rate at which children acquire language. There can be an infinite number of sentences in a language. All these sentences cannot be learned by imitation. Children make errors, such as overregularizing verbs. For example, a child may say Billy hitted me, incorrectly adding the usual past tense suffix -ed to hit.Errors like these can’t result from imitation, since adults generally use correct verb forms. Children acquire language skills even though adults do not consistently correct their syntax. Neural Networks Some cognitive neuroscientists have created neural networks, or computer models, that can acquire some aspects of language. These neural networks are not preprogrammed with any rules. Instead, they are exposed to many examples of a language. Using these examples, the neural networks have been able to learn the language’s statistical s tructure and accurately make the past tense forms of verbs.The developers of these networks speculate that children may acquire language in a similar way, through exposure to multiple examples. Biological Influences on Language Acquisition The main proponent of the view that biological influences bring about language development is the well-known linguist Noam Chomsky. Chomsky argues that human brains have a language acquisition device (LAD), an innate mechanism or process that allows children to develop language skills. According to this view, all children are born with a universal grammar, which makes them receptive to the common features of all languages.Because of this hard-wired background in grammar, children easily pick up a language when they are exposed to its particular grammar. Evidence for an innate human capacity to acquire language skills comes from the following observations: The stages of language development occur at about the same ages in most children, even though different children experience very different environments. Children’s language development follows a similar pattern across cultures. Children generally acquire language skills quickly and effortlessly. Deaf children who have not been exposed to a language may make up their own language.These new languages resemble each other in sentence structure, even when they are created in different cultures. Biology and Environment Some researchers have proposed theories that emphasize the importance of both nature and nurture in language acquisition. These theorists believe that humans do have an innate capacity for acquiring the rules of language. However, they believe that children develop language skills through interaction with others rather than acquire the knowledge automatically. Language, Culture, and Thought Researchers have differing views about the extent to which language and culture influence the way people think.In the 1950s, Benjamin Lee Whorf proposed the linguistic re lativity hypothesis. He said language determines the way people think. For example, Whorf said that Eskimo people and English-speaking people think about snow differently because the Eskimo language has many more words for snow than the English language does. Most subsequent research has not supported Whorf’s hypothesis. Researchers do acknowledge, however, that language can influence thought in subtle ways. For example, the use of sexist terminology may influence how people think about women.Two ways that people commonly use language to influence thinking are semantic slanting and name calling. Semantic Slanting Semantic slanting is a way of making statements so that they will evoke specific emotional responses. Example: Military personnel use the term â€Å"preemptive counterattack† rather than â€Å"invasion,† since â€Å"invasion† is likely to produce more negative feelings in people. Name Calling Name calling is a strategy of labeling people in order to influence their thinking. In anticipatory name calling, it is implied that if someone thinks in a particular way, he or she will receive an unfavorable label.Example: On the day a student buys a new desk, he might say, â€Å"Only a slob would pile junk on a desk like this. † This might help ensure that his roommate keeps it free of junk. Bilingualism Although people sometimes assume that bilingualism impairs children’s language development, there is no evidence to support this assumption. Bilingual children develop language at the same rate as children who speak only one language. In general, people who begin learning a new language in childhood master it more quickly and thoroughly than do people who learn a language in adulthood. Language and Nonhuman PrimatesSome researchers have tried to teach apes to use language. Because of the structure of their vocal organs, apes can’t say words, but they can communicate using signs or computers. Using these means, a pes can make requests, respond to questions, and follow instructions. The Case of Washoe the Chimpanzee Researchers at Central Washington University taught a chimpanzee named Washoe to use American Sign Language (ASL) to communicate. She could sign not only single words but also meaningful combinations of words. She could follow instructions and respond to questions given in ASL.Later, Washoe’s foster child, Loulis, learned signs just by watching Washoe and other chimps that had been trained to use language. Some research even suggested that language-trained chimps may use signs spontaneously to communicate with each other or to talk to themselves, although this behavior is not thoroughly documented. Skepticism about Ape Language Critics of the idea that apes can learn and use language have maintained several arguments: Apes, unlike people, can be trained to learn only a limited number of words and only with difficulty.Apes use signs or computers to get a reward, in the same way that other animals can be taught tricks. But learning tricks is not equivalent to learning language. Apes don’t use syntax. For example, they don’t recognize the difference between Me eat apple and Apple eat me. Trainers may be reading meanings into signs apes make and unintentionally providing cues that help them to respond correctly to questions. Clearly, communication in nonhuman animals differs drastically from language in humans. The spontaneity, uniqueness, and reflective content of human language remains unmatched. Nonprimates Can CommunicateResearchers have taught nonprimate animals, such as parrots, to communicate meaningfully. Parrots that participated in language acquisition studies learned to identify dozens of objects, distinguish colors, and make simple requests in English. One famous example is Alex the African gray parrot, owned by Irene Pepperberg from the University of Arizona. Alex can â€Å"speak† hundreds of words, but what makes him mor e unique is that he appears to do more than just vocalize. Though Pepperberg does not claim that Alex uses â€Å"language,† she does believe that when Alex talks, he is expressing his thoughts, not just mimicking.The Structure of Cognition Cognition, or thinking, involves mental activities such as understanding, problem solving, and decision making. Cognition also makes creativity possible. The Building Blocks of Cognition When humans think, they manipulate mental representations of objects, actions, events, and ideas. Humans commonly use mental representations such as concepts, prototypes, and cognitive schemas. Concepts A concept is a mental category that groups similar objects, events, qualities, or actions. Concepts summarize information, enabling humans to think quickly.Example: The concept â€Å"fish† includes specific creatures, such as an eel, a goldfish, a shark, and a flying fish. Prototypes A prototype is a typical example of a concept. Humans use prototypes to decide whether a particular instance of something belongs to a concept. Example: Goldfish and eels are both fish, but most people will agree that a goldfish is a fish more quickly than they will agree that an eel is a fish. A goldfish fits the â€Å"fish† prototype better than an eel does. Cognitive Schemas Cognitive schemas are mental models of different aspects of the world. They contain knowledge, beliefs, assumptions, associations, and expectations.Example: People may have a schema about New York that includes information they’ve learned about New York in school, their memories of New York, things people have told them about New York, information from movies and books about New York, what they assume to be true about New York, and so on. Theories of Cognitive Development Cognitive development refers to the change in children’s patterns of thinking as they grow older. Jean Piaget’s Stage Theory The scientist best known for research on cognitive dev elopment is Jean Piaget (see pages 72–75), who proposed that children’s thinking goes through a set eries of four major stages. Piaget believed that children’s cognitive skills unfold naturally as they mature and explore their environment. Lev Vygotsky’s Theory of Sociocultural Influences Psychologist Lev Vygotsky believed that children’s sociocultural environment plays an important role in how they develop cognitively. In Vygotsky’s view, the acquisition of language is a crucial part of cognitive development. After children acquire language, they don’t just go through a set series of stages. Rather, their cognitive development depends on interactions with adults, cultural norms, and their environmental circumstances.Private Speech Vygotsky pointed out that children use language to control their own behavior. After children acquire language skills and learn the rules of their culture, they start to engage in private speech. They first talk to themselves out loud, and then, as they grow older, silently, giving themselves instructions about how to behave. Current Research on Cognitive Development Current research indicates that children have complex cognitive abilities at much younger ages than Piaget suggested. As early as four months of age, infants appear to understand basic laws of physics.For example, a four-month-old infant can recognize that solid objects cannot pass through other solid objects and that objects roll down slopes instead of rolling up. At five months of age, infants can recognize the correct answers to addition and subtraction problems involving small numbers. These observations have led some researchers to speculate that humans are born with some basic cognitive abilities. Critics argue that researchers who find these results are overinterpreting the behavior of the infants they study. Quick Review The Structure of LanguageLanguage is a system of symbols and rules used for meaningful communi cation. A language uses symbols and syntax and is meaningful and generative. Language is organized hierarchically from phonemes to morphemes to phrases and sentences. Children develop language in a set sequence of stages. Theories of Language Acquisition Behaviorist B. F. Skinner strongly supported the idea that language depends largely on environment. Skinner believed that people acquire language through principles of conditioning. Critics argue the inadequacy of behaviorist explanations.Some cognitive neuroscientists have created neural networks that can acquire some aspects of language by encountering many examples of language. They think children may acquire language in the same way. Noam Chomsky is the main proponent of the importance of biological influences on language development. Chomsky proposed that human brains have a language acquisition device that allows children to acquire language easily. Some researchers believe that language is both biologically and environmentall y determined. The linguistic relativity hypothesis states that language determines the way people think.Today, researchers believe language influences, rather than determines, thought. Two ways that people use language to influence thinking are semantic slanting and name calling. People master a new language better if they begin learning it in childhood. Nonhuman animals can learn some aspects of language. Language and Nonhuman Primates Some researchers have tried to teach apes to use language. Apes can communicate, but researchers are divided on whether this communication can really be considered â€Å"learning language. † The Structure of CognitionCognition involves activities such as understanding, problem solving, decision making, and being creative. People use mental representations such as concepts, prototypes, and cognitive schemas when they think. Theories of Cognitive Development Jean Piaget believed that children’s cognitive skills unfold naturally as they ma ture and explore their environment. Lev Vygotsky believed that children’s sociocultural environment plays an important role in cognitive development. Some researchers have shown that humans are born with some basic cognitive abilities. Problem-SolvingProblem-solving is the active effort people make to achieve a goal that is not easily attained. Three common types of problems involve inducing structure, arranging, and transformation. Some approaches to problem-solving are trial and error, deductive and inductive reasoning, use of algorithms and heuristics, dialectical reasoning, creation of subgoals, use of similar problems, and changes in the way the problems are represented. Researchers have identified many obstacles to effective problem-solving, such as focus on irrelevant information, functional fixedness, mental set, and assumptions about unnecessary constraints.Decision-Making Decision-making involves weighing alternatives and choosing among them. Additive strategies and elimination strategies are ways of making decisions about preferences. Using expected value, subjective utility, the availability heuristic, and the representativeness heuristic are all ways of making risky decisions. Using the representativeness heuristic can make people susceptible to biases, such as the tendency to ignore base rates and the gambler’s fallacy. Using the availability heuristic can make people susceptible to overestimating the improbable or underestimating the probable.In an effort to minimize risk, people also make decision-making errors, such as the overconfidence effect, the confirmation bias, and belief perseverance. Creativity Creativity is the ability to generate novel, useful ideas. Creativity is characterized by divergent, rather than convergent, thinking. Some characteristics of creative people are expertise, nonconformity, curiosity, persistence, and intrinsic motivation. People can best realize their creative potential if they are in environmental circumstances that promote creativity.

Drama Exploration Essay

During this task, we got into groups of four or five. Each of the four groups was given an Act from the play to create a statue of Proctor at contrasting moments. Proctor’s emotions varied; each statue had a very different objective, e. g. to intimidate, to plead, etc. My group, looked for lines to base our statues on in Act One. Through my statue of Proctor- I had a straight back, my arms + hands were pointed forward and I had a frown, based on the line,† be you deaf†¦ â€Å", I discovered a few things about Proctor. Because the moment I chose was one that I preformed in an angry tone, I choose an angry line: â€Å"I’ll show you a great doin’ on you arse†¦ † This line is preformed in mockery and is almost playful but, stern. I realized that Proctor is the only character so far to whom we can relate. He has a sense of humor and seems like the only character that is not constantly serious. Proctor is calm and we can visualize his entrance and aura. The fact that he has a sense of humor makes us, as the audience, like him. Group Two looked at Act Two. There were many contrasting moments. The statues that I remember did not focus on the relationship between Elizabeth and Proctor, to the extent that I would have liked. The statue that did a small investigation on how Proctor is feeling was Justin’s: Sitting on a chair, hands interlocked with a soft face and an arched back as if talking softly to someone (Elizabeth). He said his line â€Å"I mean to please you† sincerely and softly. Because of Justin’s performance, I realized that Proctor and Elizabeth are still uneasy because of the affair. Furthermore, Elizabeth is being very difficult and Proctor is trying very hard to try and get the relationship back together. Another line which comes to mind is â€Å"an everlasting funeral marches around your heart. † This is when Proctor loses his temper; Proctor has tried really hard and is lashing out because of what Elizabeth said to him. The important thing that I realized: Proctor did commit adultery but, there is a substantial possibility that it was not entirely his fault. If Elizabeth is acting this way at this point â€Å"un-cooperative and stubborn† there is a substantial possibility that she had the qualities before the affair, refining my point. Group Three looked at Act Three. During this scene that is entirely located in the courthouse, various things happen. Proctor entered the courthouse very calm: Andres portrays Proctor holding himself very high, his head is thrown back and he has his chest out, revealing the new information to the court: â€Å"She never saw no sprits sir† The tone is almost pleading; Proctor is really respectful to the Judge and he understands that he needs to keep his temper cool. I believe that Group Three covered the main moments. They chose the line where Proctor looses his temper and finally cracks- Proctor calls Abigail a- â€Å"whore†- and reveals that he has had an affair. The important thing that I realized is: Proctor has admitted his sin to the Puritan society. Proctor knows by revealing the information about his affair with Abigail he has ruined his name in Salem. The reason why Proctor has revealed the information is important: he really loves his wife Elizabeth and he would sacrifice everything for her. Proctor’s plan backfires; Elizabeth tells a lie. Group Three choose that moment: â€Å"God is dead† I realized that it’s not because Proctor does not believe in God. I realized and was reminded that Proctor says that because he believes that the events would not happen if God were looking after them: young girls should not be able to manipulate a court of grown men. Group Four looked at Act 4. At this point Proctor is broken. Proctor is shown having his life taken away; he still has his dignity. Proctor is reduced to almost nothing: he is kneeling, Proctor wanted his life. Proctor chooses to reveal he was working with the devil, because he wants to live with Elizabeth. Because of what Danforth wants from him Proctor lost his temper- Proctor is asked to sign his name to his statements. When Danforth asks him for his signature, at this point, Proctor has had enough and decided to be hung. The image, when Proctor stood tall and opposes Danforth, helped me understand something very important: Proctor is the hero of the play. Proctor chooses to die then make his friends die pointlessly. Proctor’s sacrifice: condemning himself to death instead of letting his friends die in vain. It would be so easy for Proctor to give up and live his life quietly in the farm. However, because of his sacrifice he has shown ultimate courage and goodwill. Proctor is the hero who we admire. Miller wants us to like Proctor. Proctor is human; he had an affair; we all have flaws. Proctor contrast, with other charters. Tituba was in a similar position but she broke and told lies. Proctor stood up for what is right. Proctor goes against the court and it costs him his life. Miller is trying to tell us something: Miller wants us to realize that heroes don’t always win. A hero is someone who stands up against adversity and does what he thinks is right. We repeated the same procedure with Abigail. However, Abigail had no lines in Act 2 and 4 so those two groups were forced to create images for Abigail. I was part of Group One. The statue that was shown had a lot of contrast. Abigail was shown as a girl that had different emotions depending on who she was talking too. Our group choose the moment where Abigail was threatened the other girls â€Å"a pointy reckoning that will shudder you. † I was the statue for that line. I closed my fist, as if mimicking the knife, and said my line cruelly with nostrils flaring. The audience had contrast between my line and Nicole’s: â€Å"give me a word John†¦ † This shows that Abigail changes her personality refining my first point. Nicole said the line trying to seduce John, her head was tilted back and her face was soft, the audience has to realize that Abigail has not given up on John even though she had been sacked. Furthermore, Abigail changes her personality according to the people around her. Group Two focused on Act Two. Abigail had no lines in Act Two, so the group had to invent some. The statue that I think conveyed the importance of Act Two was Enrique’s. Enrique was sitting on a chair clutching his stomach: rolled on the floor and groaned and said, as held up his hand, â€Å"a needle†. The audience has to understand that Abigail really wants to kill Elizabeth ruining her name so. Because Abigail did this and said, we are told by Herrick, â€Å"Goody Proctor sent her sprit on me† Elizabeth is taken to prison. Furthermore, John got direct and aggressive and decided to go with Mary Warren to confront the court. Group Three focused on Act Three. This is the scene where Proctor confronts the court trying to prove Abigail as a liar. The most important statue that I remember: Abigail in fright and her line â€Å"Why do you come yellow bird? † This acting by Abigail is very smart- she diverts all the attention away from her. Abigail is kneeling looking up with her hand in her hair, this makes her look venerable and we pity her. Proctor challenges her in front of the court revealing the affair, although not proven, to bring the tension away from her she chooses to make a scene. Through this acting the accusation of her innocence is forgotten, the attention is drawn to Mary Warren- Abigail is a smart girl and everything is planned in her mind. Group Four focused on Act Three. Similarly to Act Two, Miller only references Abigail not giving her any lines. The statue that I felt was most important: Abigail sobbing. Abigail had her head in her hands and said â€Å"no! He is dead†. Abigail still loves Proctor. Abigail did not want Proctor dead, only Elizabeth. As a child, Abigail can not comprehend with Proctor’s mentality. Abigail does not understand that Proctor really loves his wife, the affair was a mistake. Abigail can’t accept that Proctor does not love her. The audience has to realize that Abigail did those things not to be popular or for fun. I feel that Abigail honestly wanted to hurt people. In act 2 and 4 Abigail has no lines but is mentioned and events- Elizabeth being taken to prison- a result of Abigail. This shows her importance and how events are carefully planned by her. She did exactly what she wanted to do. She is a leader and has a lot of power. Abigail, through the menacing lines warning and threatening her friends get what she wants.

MK389 Assignment 2015 Upd Essay - 2652 Words

‘.~ Module Code: MK0389 Module Title: Global Marketing and Communication Distributed on: Week 1 Hand in Date: TBC Instructions on Assessment: The assessment is in two parts: Group seminar presentations contribute to 30% of the overall mark The individual assignment contributes to 70% of the overall mark Seminar activities (30%) Students will work in small groups within their seminar and make two assessed presentations on their chosen global brand. Further information on the seminar activities is detailed separately. Final Individual assignment (70%) The individual assignment is based on the development of a marketing communications plan for the launch of a product/brand of your choice (ideally taken from any of the brands from†¦show more content†¦Excessive use of an appendix for material which should be included ion the body will be penalised. Students writing in essay format will be penalised. (Some basic instruction if required here) Important note about ARNA regulations The regulations specify that students must complete every assessment component contributing to the modules on their programme. This applies to all forms of assessment as defined in the module descriptor. Please note that: if any assessment component is not completed, students will be failed in the module even if the module pass mark has been achieved; if the requirements for referral specified in section 5 of ARNA1 are met, a resit opportunity will be given; if unable to complete an assessment component because of extenuating circumstances, students should follow the procedure described in the Student Guide to Extenuating Circumstances1. This change was approved by Academic Board on 12 October 2009 in consultation with the Students’ Union. Students should consult their Programme Leader or Guidance Tutor if they have any queries. Independent advice and support is also available from the Students’ Union Advice Representation Centre (su.advice@northumbria.ac.uk) or from a student adviser in Student Services. 1ARNA and the Student Guide to Extenuating Circumstances